Sarah Rose Nordgren is a poet, teacher, and multiform text artist. Her two books of poetry are Best Bones (2014), winner of the Agnes Lynch Starrett Poetry Prize, and Darwin’s Mother (2017), a finalist for the 2018 Ohioana Book Award, both from University of Pittsburgh Press. Her poems and essays appear widely in periodicals such as Agni, Ploughshares, The Kenyon Review Online, Copper Nickel, and American Poetry Review, and she creates video and performance text art in collaboration with Kathleen Kelley under the name Smart Snow. Read more >>
Now available from University of Pittsburgh Press
Price: $15.95 | ISBN: 9780822965169
In Darwin’s Mother, curious beasts are excavated in archeological digs, Charles Darwin’s daughter describes the challenges of breeding pigeons, and a forest of trees shift and sigh in their sleep. With a keen sense of irony that rejects an anthropocentric worldview and an imagination both philosophical and playful, the poems in this collection are marked by a tireless curiosity about the intricate workings of life, consciousness, and humanity’s place in the universe.
“This striking and inventive second collection from Nordgren (Best Bones) reads as if a naturalist’s observational notebooks found a second, wondrous life as poetry. Describing both the natural and the digital worlds, Nordgren imbues scientific and technical concepts with warmth and humanness.”
Smart Snow is a collaboration between dance choreographer and media artist Kathleen Kelley and poet Sarah Rose Nordgren. Since meeting at a high school party and recognizing each other as artistic soul-mates, they have been working together formally and informally for over 15 years. Smart Snow gives a name to their lifelong artistic relationship.
Smart Snow creates art that pushes the forms of dance and poetry into new technological territories. As women working at the intersections between art and tech, Kathleen and Sarah Rose are interested in the mirrored relationship between technological and evolutionary processes and the “natural” and the “human” inside of digital spaces.